SPIRIT DRAWINGS & WRITINGS 1
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A Spirit oil painting done in stages in a Campbell seance 1898. The picture is of Medium Allan Campbell's Guide Azur, a self portrait.
It is now on show in the Maplewood Hotel in Lily Dale USA.
Pastel portrait by the Campbell Brothers while under the influence of Spirit. Now hanging in the Maplewood Hotel, Lily Dale, USA.
Other Spirit paintings can be seen in Camp Chesterfield, Indiana.
The most famous spiritual painting that most Catholic people might know about is the painting of the Virgin of Guadalupe. This painting was created by Divine Spirit intervention.
According to Wikipedia, on December 9, 1531, Juan Diego, a humble Indian Aztec peasant, reported seeing the Virgin Mary at the Tepeyac hill. At first, he heard music, smelled a sweet aroma in the air, and heard someone calling his name. As he approached the area where the voice was coming from, he saw a beautiful young woman. She told him that she was the Virgin Mary, and asked him to deliver a message to the Bishop. She wanted the Bishop to build a house of worship on the Tepeyac.
Upon arriving to see the Spanish Bishop, Fray Juan de Zumarraga, Diego had to wait a while before speaking to him. When he was finally called upon, he related the message exactly as it was given to him. Being a simple and uneducated man, the Bishop did not believe him.
When Diego went back to the Tepeyac hill, where he had first seen the Virgin Mary, she was there waiting for him. After telling her what had transpired, he begged her to send someone of a higher standard. He believed that he was too simple and insignificant for anyone to pay him any mind. She insisted that he deliver her message and no one else.
Once again, Diego went back and spoke to the Bishop. This time, the Bishop asked him to tell the lady to perform a miracle as a sign of her Divinity.
Diego quickly went to the Tepeyac hill and related the Bishop's request. She agreed and instructed him to come back the next day.
The next day, Diego did not go to the Tepeyac hill to visit the lady. Since his uncle was extremely ill, he felt that he needed to be by his uncle's side and attend to his needs.
A day later, convinced that his uncle was near death, Diego set out to find a priest. Trying to avoid the lady, he decided to take another path.
Suddenly, the lady appeared. Embarrassed by his behavior, Diego began to tell her about his uncle's condition. She assured him that his uncle was well.
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She asked him to go up the hill and gather some flowers. Diego was amazed to see such beautiful flowers, since it was winter and not the season for flowers to bloom. He gathered the flowers and carefully placed them inside his tilma-a outer garment, similar to a long apron, worn by Aztec men and people of central Mexico. When he had finished gathering the flowers, he went back to the lady. She took the flowers and then placed them back inside his tilma. She instructed him to see the Bishop and show him the flowers.
I believe that spiritual paintings have a meaningful purpose. It is a way of telling us that we are not alone. In a world where the future looks so bleak, it is good to know that we are surrounded by Divine Spirits.
For those who do not believe in spiritual paintings created by Spirit, such as the one mentioned above-Virgin of Guadalupe, no words are possible.
For those who believe that everything is possible in this world, no words are necessary. I salute you for having an open mind.
When a seance is conducted for creating a Spirit Painting, a new and clean canvas is used. The canvas can be placed on an easel. In certain cases, the canvas is laid flat, facing up on the table, with all in attendance placing their palms down on the table around the canvas.
In addition, a container of paint, with all the colours of the spectrum, is placed in close proximity to the canvas. There are no brushes in the site.
As the Medium, one who communicates with Spirits, goes into a trance, the sitter, one who requests a Spirit Painting, and observers remain in a meditative state. The sitter is instructed to think of or visualize their departed loved one.
In a short while, a painting begins to manifest. The process can take from fifteen to ninety minutes.
One important fact about some of these paintings is that they contain no visible brush strokes.
The first reported display of this phenomenon was in 1894 by Elizabeth Bangs and Mary Bangs. Below is a painting created by Spirit through the Bangs Sisters.
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| Spirit Painting |
The Bangs sisters possessed the ability to receive Spirit communications through direct writing as well as direct painting.
Information collected states that the Bangs sisters conducted these sessions in broad daylight, and in front of several eyewitnesses. Additionally, they remained in their seats and avoided physical contact with the painting during its formation.
In addition to the Bangs Sisters, the Campbell Brothers were well known Mediums, who were best known for their precipitated Spirit Paintings.
In 1898, the Campbell Brothers manifested one of their famous Spirit Paintings called Azur, a Spirit Guide painting. The session was conducted in a room that contained sufficient amount of light for those present to witness the spiritual phenomena. To ensure that the 40"x 60" canvas was not switched, the invited guests were encouraged to place their personal markings on the back of the canvas. During the process, the guests could witness the gradual development of the painting on the canvas. The painting was completed in one hour and thirty minutes.
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| Nora-Spirit Painting |
Skeptics have tried to discredit the validity of such paintings. They are so determined to prove their point that sometimes they miss the point- that there is a great unseen Higher Force.
The most famous painting done by the Spirit World intervention is the Virgin of Guadalupe.
Throughout the years, this painting has been studied and investigated. The result is, "image is inexplicable."
There are times when we must put aside our personal beliefs and accept the fact that some things have no tangible explanations.
With slight alterations from spiritual-healing-artwork-4u.com
Bushmen of South Africa
Subjects range from animals (mainly eland) to humans, therianthropes to ox-wagons and mounted men with rifles. In Ndedema Gorge 3 900 paintings have been recorded at 17 sites. One of them, Sebaayeni Cave, contains 1 146 individual paintings. In the Cathedral Peak- Mdelelelo Wilderness Area there are another 130 sites with a total of over 8 800 individual paintings. Other prime sites include the Main caves in Giant's castle game reserve, Battle Cave in the Injasuti Valley and Game Pass Shelter in the Kamberg Nature Reserve
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Ancient rock art sheds light on the trance experiences of Bushman Shamans.
When Europeans first encountered rock art of the San people, or Bushmen, in southern Africa some 350 years ago, they considered it primitive and crude, like the people who made it. They were just “Bushman paintings,” two-dimensional accounts of hunting and fighting and daily life. Twentieth-century scholars had much more respect for the aesthetics of the paintings—often finely detailed and exquisitely colored—but many also viewed them largely as narrative accounts of hunter-gatherer life. A closer look in recent years has yielded another picture altogether. For the San, rock paintings weren’t just representations of life; they were also repositories of it. When Shamans painted an eland, they didn’t just pay homage to a sacred animal; they also harnessed its essence. They put paint to rock and opened portals to the Spirit World.
 San rock paintings at Game Pass Shelter |
When entering a trance, Shamans often bleed from their nose and experience excruciating physical pain. The Shamans’ arms stretch behind them as the transformation into the Spirit World takes place. Scholars believe that the trance dance serves as the foundation for rock art, and clear corollaries between cave images and trance ceremonies appear in the Drakensberg cave paintings. These ancient images offer a record into ages past.
KwaZulu-Natal's new Kamberg Rock Art Centre, now open to the public, will help visitors understand and interpret the more than 40 000 San Bushman images to be found in the Ukhahlamba-Drakensberg Park.
Opened by KZN Premier Lionel Mtshali on June 4, the centre is situated in the Kamberg Nature Reserve, near to the Game Pass Shelter.
It is here that the "Rosetta Stone" of San art first provided archaeologists with the key to interpreting the symbolism of the paintings as spiritual in content - showing how hunters gained power from the animals that they killed.
The Ukhahlamba-Drakensberg Park is a World Heritage Site - one of just 23 sites worldwide granted this status on the basis of both natural beauty and cultural significance. The 230 000 hectare protected area contains 500 known sites of San rock art.
The Kamberg San Rock Art Trail and Interpretive Centre together offer visitors information about the world of the San, and the opportunity to walk to Game Pass Shelter to view outstanding examples of their art in the company of a trained community guide.
The San people lived in the Drakensberg area for thousands of years before being exterminated in clashes with the Zulus and white settlers.
From south-africa-tours.com with slight alterations.
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